During my most recent visit to Kurt Steger’s Bushwick studio I was accompanied by filmmaker Kai Nottapon Boonprakob. Steger’s studio is neatly arranged, a gallery of artworks and processes. Much of the works from his Urban Structures series of sculptures line one long wall, while a workshop table sits towards the rear of the studio surrounded by [READ ►]
I recently paid a visit to Bill Schuck’s studio, a crypt-like lair of curiosity tucked deep into the guts of uppermost Greenpoint. Schuck’s geologically informed, scientifically conceived, empirically iterative, and both temporally determined and grounded works involve meticulously calibrated machinery, gradual drips and capillary seepings of an array of inks, a range of mostly [READ ►]
Elisa Jensen’s studio is in one of my favorite nether reaches of north Brooklyn, up where the grid of streets suturing outerlying threads of Greenpoint and Maspeth, Queens—and with a bit of extension, certain chunks of East Williamsburg—is still almost entirely industrial, and thus still heavily trafficked enough by hefty trucks snaking along to [READ ►]
